Before I describe in detail my top five movies of last year, I need to throw in a movie I saw a couple of days ago that I've been thinking about ever since. This would have definitely made my list, but I'll just include it here as an addendum to the list.
Would have made my top ten: Red Rooms
Red Rooms is a psychological thriller about a man who is on trial for brutally assaulting and murdering three young girls and showing it on a webcam on the dark web. There's a strange beautiful woman who keeps showing up to the trial and the movie is ultimately about her obsession with the trial and how that obsession can change a person for good and for bad. Incredibly well acted, it's a brooding and sinister look at the dark places in a person's soul. There is one specific scene at the trial that I won't be able to get out of my head for a long time. Highly recommend.
5. Heretic
Another surprising horror movie/psychological thriller on my list. In this movie, two Mormons show up at a house to try and make converts of the houseowners but the husband knows quite a bit about their religion as well as others and lures them into a twisted game to truly test their belief. Hugh Grant is phenomenal in the lead role, and the two Mormon women are excellent as well. Some of his arguments I thought were really well done, and you will never look at Blueberry pie the same way ever again.
4. Furiosa: A Mad Max Saga
No one believed that George Miller could ever top his masterpiece "Mad Max: Fury Road" but still the expectations were super high when it was announced that the next movie in the Mad Max franchise was going to be a prequel focusing on Imperator Furiosa from Fury Road. It's true that we didn't get the completely batshit crazy non-stop action that we got from that movie. What we did get was a really good backstory, an actual plot, some world building (something new to this franchise to be honest; usually you had to fill in yourself what this world was about), and a tremendously flawed villain, with Chris Hemsworth playing the true to his name Dementus. I can't believe this flopped at the box office. The action was still there (there's one setpiece that might rival Fury Road in how epic it is), Anya Taylor-Joy did a great job stepping into the role of Furiosa, and there is some stunning stunt work here. I'm sad that Miller will probably never be able to return to Mad Max ever again; these type of movies just don't get made anymore.
Note: I have changed the order of my top three movies after thinking long and hard about in what order these movies really moved me.
3. Conclave
I was mostly free of religion up until my junior high years; however what religious experiences I did have in those early years was due to my grandmother, who was a devout Catholic. I remember going to Mass at a church near her house; and it was confusing but it was always interesting. The priest of that church was an incredible man - funny thing is that a couple of months ago my brother asked me if I knew his name and it came to me immediately.
This movie was way better than I thought it was going to be; after all, a movie about cardinals gathering together to choose the next pope sounds like a dreadful snore. However, it was riveting and I will give anyone a hundred dollars who can guess correctly what happens at the end. You think you know, and even if you get one part of it right, the reasons behind the ending is something no one could possibly predict. A large group of Catholics are up-in-arms about the ending; I thought it was beautiful and inspiring and hopefully the direction the Catholic Church will steer towards. I'm not holding my breath though.
2. Civil War
This Alex Garland written and directed movie has been my number one movie of the year from the moment I saw it. I only changed it number two literally as I wrote these out because I revisited my number one, formerly number two movie and I have to give it a slight nod over this one because the themes of that movie, although different from my personal experience as a straight white man, are themes I have only realized recently that I have been wrestling with my whole life.
Many people found this movie disappointing because of several reasons. For one, this movie is not one that deals with a black and white worldview. The normal good guys might not actually be the good guys. The normal bad guys might not actually be the bad guys. Florida and Texas according to this movie have seceded from America and are fighting against...a fascist right wing president? For most people this made no sense. However, if you take your focus off of the backstory details of this world Garland has created, and live in the uncomfortable chaotic tension of a country in the middle of a civil war, I think you will understand what a masterpiece this is.
There are so many themes that are applicable to today's time: the role of truth telling and cold observance by our media; the horror of not only the machinations of war but also the unflinching acceptance of what happens to normal life during war; it's a movie that will challenge your idea of what America would be like if we continue down the path we're going on. There are so many scenes that I can't get out of my head. One in particular involves Jesse Plemons as a white supremacist so cold and calculating - and yet a character that totally makes sense in the context of today's time - that I've revisited it at least five times.
Alex Garland in my opinion never disappoints - even his movie Men, although very flawed, made me think about its themes for months. I only wish I would have seen this in IMAX; the sound design in the last twenty minutes must have been both super impressive and nightmarish.
1. I Saw The TV Glow
This is a movie that I would have never watched ten years ago. Back then, I was definitely on the side of supporting and affirming the "gay lifestyle" but I never felt a desire to actually inhabit that world. It was foreign to me and I honestly would have felt like an intruder. I think this started to change when I was listening to a podcast and a friend of mine from college shared his story of coming out and the amount of pain yet hope he experienced. And it made me realize that to a certain degree, almost all of us can relate to feeling like a stranger in a foreign land, living in a world where you feel like no one truly understands who you are, and fighting constantly the societal pressures of conforming to a life of similitude. At what point do you give up and give in and just become another cog in the normality machine?
I am not a gay person. But I can relate to the themes of this movie because for thirty plus years I felt like an alien in a world that felt familiar and that I could take comfort in at certain times but ultimately the box that that world kept trying to keep me in could not contain my struggles, my doubts, my differences. That world was religion.
I Saw The TV Glow is about two people growing up who never fit the typical teenager mold and who take solace and togetherness in a shared experience of a TV show called The Pink Opaque. (it felt kind of like a Buffy the Vampire Slayer vibe) They both desire to escape the constrictive nature of their upbringing. One ultimately gets out; the other one resigns themselves to slowly conforming to the banality of their existence. A review of this movie puts it very well:
There are plenty of films that feature queer misery. There are even more fandoms that feature it. These works, whether they intend to or not, can betray our desire for affirmation and lead us to despair, but they are still valuable. In recalling them, we learn the limitations of searching for oneself in media. The difference is that I Saw the TV Glow doesn’t just feature queer misery, it’s specifically about it—the brutality is a feature, not a bug. It’s playing with the same tropes as bad faith queer films and fandom media, often with a bit of a wicked grin, but it’s a controlled environment. This is an exploration of what a ‘darkest timeline’ version of adolescent development might have looked like for a trans kid in the 90s. A timeline where development was stymied constantly, and in the place where identity and relationships were supposed to form, a dependency on a TV show emerged instead. It walks you right up to the brink of despair, but never forces you over it.
I highly recommend this movie. It is different than anything I've ever seen and the fourth wall breaking feels transgressive at times, but give it a chance. It may make you think about your life and upbringing and what could have been different if you only had the courage to make a choice instead of letting that choice be made for you (something I have struggled with my whole life).